Download e-book for kindle: Afrofuturism (Social Text) by Alondra Nelson

By Alondra Nelson

ISBN-10: 0822365456

ISBN-13: 9780822365457

Not easy mainstream technocultural assumptions of a raceless destiny, Afrofuturism explores culturally specified methods to expertise. This precise factor addresses the intersection among African diasporic tradition and expertise via literature, poetry, technology fiction and speculative fiction, tune, visible artwork, and the net and continues that racial id essentially impacts technocultural practices. the gathering features a mirrored image at the ideologies of race created by means of cultural critics of their analyses of swap wrought through the knowledge age; an interview with Nalo Hopkinson, the award-winning novelist and writer of speculative fiction novels nighttime Robber and Brown lady within the Ring, who fuses futuristic pondering with Caribbean traditions; an essay on how modern R&B track offers African American reflections at the applied sciences of lifestyle; and a piece of writing interpreting early interventions by way of the black neighborhood to carve out a different area of interest in cyberspace.Contributors. Ron Eglash, Anna Everett, Tana Hargest, Nalo Hopkinson, Tracie Morris, Alondra Nelson, Kal? Tal, Fatimah Tuggar, Alexander G. WeheliyeAlondra Nelson is a Ph.D. candidate within the American reviews application at long island college and the Ann Plato Fellow at Trinity university.

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Additional info for Afrofuturism (Social Text)

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I am borrowing the phrase “other humanities” from the title of Lisa Lowe’s talk delivered at the Humanities Institute, State University of New York, Stony Brook, March 2000. Posthuman Voices in Black Popular Music 47 Race, Sex, and Nerds FROM BLACK GEEKS TO ASIAN AMERICAN HIPSTERS The development of technological expertise requires not only financial resources but also cultural capital. 1 This essay examines the figure of the nerd in relation to race and gender identity and explores the ways in which attempts to circumvent its normative gatekeeping function can both succeed and fail.

Ironically, the vocoder effect in black popular music amplifies the human provenances of the voice, highlighting its virtual embodiment, because it conjures a previous, and allegedly more innocent, period in popular music, bolstering the “soulfulness” of the human voice. 55 Surely desire serves as the central topos for all R&B, even if as in current formations it is desire for material objects rather than human subjects; nevertheless, it is always desire that has no “real” destiny. 56 This productive force has no object, because the performance of desire in R&B is always onesided, invariably a rumination by the effect of a desiring subject (the R&B singer) and not the desired subject or object.

Blaque, “808” (Trackmasters/Columbia, 1999). The TR-808 is a drum machine produced by Roland. : New England University Press, 1994], 75). Rose cites several hip hop producers, who describe “the boom” of the TR-808 as its capacity for detuning and thereby distorting the bass sounds to make them more intense. 40. Ginuwine and Aaliyah, “Final Warning,” 100% Ginuwine. 41. The Firm, “Phone Tap,” Nas Escobar, Foxy Brown, AZ, and Nature Present The Firm: The Album (Aftermath/Interscope, 1997). 42. Destiny’s Child, Joe, TLC, Aaliyah, Janet Jackson, 702, Jamelia, Kandi, Mya, Craig David, and Missy Elliot have all used this cell phone effect on recent recordings, as have teen pop acts N’Sync, Britney Spears, and the Backstreet Boys.

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Afrofuturism (Social Text) by Alondra Nelson


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