John Updike's Always Looking: Essays on Art PDF

By John Updike

ISBN-10: 0307957306

ISBN-13: 9780307957306

In this posthumous choice of John Updike’s artwork writings, a significant other quantity to the acclaimed Just taking a look (1989) and Still Looking (2005), readers are back handled to “remarkably stylish essays” (Newsday) within which “the mental matters of the novelist force the attention from paintings to paintings until eventually a deep realizing of the paintings emerges” (The big apple instances e-book Review).

constantly taking a look opens with “The readability of Things,” the Jefferson Lecture within the Humanities for 2008. the following, in taking a look heavily at person works by way of Copley, Homer, Eakins, Norman Rockwell, and others, the writer teases out what's frequently “American” in American artwork. This speak is by means of fourteen essays, so much of them written for The big apple overview of Books, on yes highlights in Western artwork of the final 2 hundred years: the long-lasting photos of Gilbert Stuart and the elegant landscapes of Frederic Edwin Church, the sequence work of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the private graffiti of Miró, the verbal-visual puzzles of Magritte, and the huge Pop of Oldenburg and Lichtenstein. The booklet ends with a attention of contemporary works by way of a dwelling American grasp, the steely sculptural environments of Richard Serra.

John Updike was once a gallery-goer of genius. Always Looking is, like every little thing else he wrote, a call for participation to seem, to see, to recognize the visible global in the course of the eyes of a connoisseur.

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Extra resources for Always Looking: Essays on Art

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EISBN: 978-0-307-96183-9 1. Art—Psychology. I. Title. U63 2012 700—dc23 2012005986 Cover image: John Updike, in 1989, looking at three paintings by Henri Matisse in the Florence May Schoenborn Gallery, The Museum of Modern Art, New York (from left to right: View of Notre Dame, 1914; Moroccan Garden, 1912; Goldfish and Sculpture, 1912). 1 The question is not what you look at— but how you look & whether you see. ” —JOHN UPDIKE, The Poorhouse Fair Contents Cover Title Page Copyright Epigraph Editor’s Note PREFACE: PICTURES AND WORDS “THE CLARITY OF THINGS” MAKING FACES THE LOVE OF FACTS THE ARTFUL CLARKS MANY MONETS DEGAS OUT-OF-DOORS AN INTIMATE WHIRLWIND GOLD AND GELD BRIDGES TO THE INVISIBLE MIRÓ AT MOMA THE ART OF OUR DISORDER MAGRITTE THE GREAT A CASE OF MONUMENTALITY BIG, BRIGHT, AND BENDAYED SERRA’S TRIUMPH Index Illustration Credits A Note About the Author A Note About the Editor Other Books by This Author Editor’s Note Always Looking was conceived by Judith Jones of Alfred A.

0) “The Clarity of Things” THE NATIONAL ENDOWMENT for the Humanities, together with the American Library Association, has launched in this year of 2008 a program that will supply classrooms and public libraries with reproductions of significant American art, one example on each side of twenty high-quality posters, forty examples in all, under the overall title Picturing America. ” The question has often arisen; it was asked in almost these exact same words in 1958, by Lloyd Goodrich, then the director of the Whitney Museum of American Art.

1763 Oil on canvas, 49⅝ × 39½″ Museum of Fine Arts, Boston. 2) The Copley example chosen by the Picturing America series is his 1768 portrait of a successful Boston silversmith, Paul Revere, whose name, thanks to an 1861 poem by Longfellow, would come to reverberate in the legend of the American Revolution. It is Copley’s only portrait of a craftsman in shirtsleeves, and the painting itself shows some merely craftsmanly qualities. The shirt is splendid, but the hand on the chin appears too big for the face, and the reflection of the fingers of the other in the silver of the teapot seems surreally artful.

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Always Looking: Essays on Art by John Updike


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