Barry K. Grant's American Cinema of the 1960s: Themes and Variations PDF

By Barry K. Grant

ISBN-10: 0813542189

ISBN-13: 9780813542188

ISBN-10: 0813544718

ISBN-13: 9780813544717

The profound cultural and political alterations of the Sixties introduced the us towards social revolution than at the other time within the 20th century. the rustic fragmented as a number of demanding situations to country strength have been met with expanding and violent resistance. The chilly struggle heated up and the Vietnam conflict divided american citizens. Civil rights, women's liberation, and homosexual rights extra emerged as major social concerns. unfastened love was once celebrated while the last decade was once marked by means of assassinations, mass murders, and social unrest.

At an identical time, American cinema underwent radical swap to boot. The studio approach crumbled, and the construction Code used to be changed via a brand new rankings process. one of the demanding situations confronted by means of the movie used to be the dawning shift in theatrical exhibition from city facilities to surburban multiplexes, a rise in runaway productions, the increase of self sustaining manufacturers, and pageant from either tv and overseas artwork motion pictures. Hollywood video clips grew to become extra cynical, violent, and sexually specific, reflecting the altering values of the time.

In ten unique essays, American Cinema of the Nineteen Sixties examines a spread of movies that characterised the last decade, together with Hollywood video clips, documentaries, and self reliant and experimental movies. one of the movies mentioned are Elmer Gantry, The house, West facet tale, The Manchurian Candidate, To Kill a Mockingbird, Cape worry, Bonnie and Clyde, 2001: A house Odyssey, hour of darkness Cowbody, and straightforward Rider.

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Although Wade warns Theron that some of the animals decorating his den “put up a struggle before they died,” it is deer and wildfowl that Wade kills, hardly the most frightening of creatures. The central mode of exchange is involved less with money, for which Wade pretends only a passing interest (in a posture that shields the role of wealth in sustaining his power), than with gun violence and the hunt. The latter, as stated, extends to women as well as animals, the notion summed up in the goose hunt during which Wade is almost killed by a jealous husband.

His predation of women highlights the nature of it. The “great hunter” Wade targets the most vulnerable: it is instructive that the two key moments featuring Wade as hunter are the goose hunt and the recounted story of Wade and the poverty-stricken “sand hill tacky” who becomes Rafe’s mother. The goose hunt itself is important. Although Wade warns Theron that some of the animals decorating his den “put up a struggle before they died,” it is deer and wildfowl that Wade kills, hardly the most frightening of creatures.

Watching a show like “Green Acres” (1965–71), with its bucolic depiction of rural America, one would never know there were political tensions troubling the country, and in the second half of the decade the surprise hit series “Hogan’s Heroes” (1965–71) seemed to erase history with its portrayal of funny and incompetent German soldiers running a World War II POW camp containing irrepressible American GIs. Of course, some shows that seemed just escapist fantasy reflected real cultural tensions, such as “Bewitched” (1964–72), a sitcom about a mortal man married to a witch with supernatural powers that cleverly disguised issues of women’s roles that contemporary feminists were raising.

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American Cinema of the 1960s: Themes and Variations by Barry K. Grant


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