By Jeremy Tambling (auth.)
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Additional resources for Blake’s Night Thoughts
Soon spreads the dismal shade Of Mystery over his head; And the Caterpiller and Fly Feed on the Mystery. And it bears the fruit of Deceit, Ruddy and sweet to eat; And the Raven his nest has made In its thickest shade. ] promotes war & the soldier peace. ] beauty for a bit of bread. (E. 27, K. 217, K. 25 In ‘The human image’ there was the spreading of nets, like Urizen’s ‘net of religion’ (E. 82, K. 235); now, baits. One bait is the apple bright, like the bed of crimson joy. Emanating from deceit, it produces deceit, as Humility has begun as a reaction to the Cruelty whose sadism appears in its use of the ‘foot’.
467–8, K. 163, 467) In these three poems, the worm finds its way to a crimson bed; the friend steals the apple; and the serpent forces his way into the shrine. Each transgresses within the spaces of the bed, the garden and the shrine, transgression generating action. Poison links these texts, as does the power of attraction (the rose, the apple, the chapel) which is meretricious like the attractions of the commodity in capitalism. In the first poem, 20 Blake’s Night Thoughts poison appears through the trace of sickness in the rose; the second has poison in the ‘apple bright’; and in the third, the serpent vomits its poison out.
49–50, E. 227, K. 712). As part of a newer cultural revaluation of Evangelicalism, he is there with Whitfield. In An Island in the Moon (c. 1784), Steelyard the Lawgiver – perhaps John Flaxman (1755–1826) – sits at his table ‘taking extracts from Hervey’s Meditations among the tombs & Young’s Night thoughts’ (E. 456, K. 52). And the year 1820 saw the production of the watercolour ‘Epitome of Hervey’s “Meditations Among the Tombs” ’. Blair’s poem The Grave (1743), full of reminiscences of Hamlet, appeared through the offices of the non-conformists Isaac Watts (1674– 1748) and Philip Doddridge (1702–1751).
Blake’s Night Thoughts by Jeremy Tambling (auth.)