Download e-book for iPad: Chicago Race Riots by Carl Sandburg

By Carl Sandburg

ISBN-10: 0544416902

ISBN-13: 9780544416901

The Chicago Race Riots, July, 1919 with a preface by way of Ralph McGill and introductory be aware by means of Walter Lippmann.

CARL SANDBURG (1878–1967) was once two times provided the Pulitzer Prize, first in 1940 for his biography of Abraham Lincoln and back in 1951 for whole Poems. prior to changing into referred to as a poet, he labored as a milkman, an ice harvester, a dishwasher, a salesperson, a fireman, and a journalist. between his classics are the Rootabaga tales, which he wrote for his younger daughters initially of his lengthy and unique literary profession.

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Sample text

Through the metaphor of the racial veil, sight is used to confi rm black nothingness, a state that ultimately affi rms both whiteness and its worth for these eminently self-assured philosopher-kings, whose profoundly subjective insights become translated as truth: reasoned, dispassionate, and authoritative. Therefore, shifting between the human and the animal in his contemplation of black women, Thomas Jefferson unselfconsciously deliberates between the possession of a human-identified beauty and the burden of a bestial sexuality.

By focusing on this intersection of writers and artists and their engagement with the racialized body, I reveal the polyglossic discourses, based on distinctive calls and unique responses, that are embedded in African-American and Afro-diasporic intellectual, cultural, and performance traditions, traditions of resistance. Like Simpson’s photograph, Waterbearer, that I reference at the beginning of this chapter, this tradition actively theorizes itself through language and image, insisting on the existence of what bell hooks deems “subjugated knowledge” (“Facing Difference” 94).

Yet, the book or icon is all about reproduction, reproduction ad infinitum. Distanced from the performing body both by the original act of description and the author’s and artist’s disembodied mediating presence, the reader/participant is allowed to return and re-engage endlessly, experiencing not the actual performance but its simulacrum, its mimetic rendering in the symbolic vessel of the written or visual text. In this project, what becomes even more important than the performance itself, or indeed still more crucial than what performativity allows, is its power of incantation, as figurative response to an original call, a negotiation that both recalls and reinvents the history being re-configured, the bodies being re-membered, making of them phantasmal elements leaving their disruptive trace in the now.

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Chicago Race Riots by Carl Sandburg


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