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By Sandra L. Beckett

In Crossover Fiction, Sandra L. Beckett explores the worldwide development of crossover literature and explains the way it is remodeling literary canons, thoughts of readership, the prestige of authors, the publishing undefined, and bookselling practices. This examine could have major relevance throughout disciplines, as students in literary stories, media and cultural experiences, visible arts, schooling, psychology, and sociology study the more and more blurred borderlines among adults and youngsters in modern society, particularly with reference to their intake of pop culture.

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Some critics have said that the 1994 novel De rode strik (The red bow), by the Dutch author Mensje van Keulen, could be read by people from the age of eight to eighty. The author herself does not agree because she feels the book is too cruel for children, but she admits it could be read by adolescents. David Guterson’s award-winning bestseller Snow Falling on Cedars, which was also published in 1994, is a popular novel in high school English classes throughout the United States, despite the violence and sexual content that caused it to be banned in some places.

The novel garnered a vast readership among people who do not usually like fantasy. ” The historical detail, period spellings, and copious, witty, faux scholarly footnotes bring a new slant to fantasy. During the ten years that Clarke worked on her historical fantasy about two magicians who vie for power in early nineteenth-century London, magicians became a hot literary commodity. K. ”7 There are nonetheless a number of similarities between Clarke’s novel and Rowling’s series, including an enchanting mix of magic and the mundane.

The British author Susanna Clarke’s debut novel, Jonathan Strange & Mr Norrell, a hefty literary fantasy of 782 pages published in 2004, not only won the Hugo Award for Best Novel and World Fantasy Award in 2005, but was also longlisted for the Booker and shortlisted for the Guardian and the Whitbread first novel awards in 2004. The novel garnered a vast readership among people who do not usually like fantasy. ” The historical detail, period spellings, and copious, witty, faux scholarly footnotes bring a new slant to fantasy.

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Crossover Fiction: Global and Historical Perspectives by Sandra L. Beckett


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