Live Cinema : Language and Elements by Mia Makela PDF

By Mia Makela

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Without having seen the setup, it would have been impossible to define how the projections were produced. In this case, watching the process of "creative misuse of technology" and the results became interesting for the public. 3. Gestural interfaces Justin Manor, MIT graduate (2003), wrote his thesis on gestural performance tools for realtime audiovisual performance. He also produced the Cinema Fabrique instrument, which allowed the control of the audiovisual environment with gloves, especially designed for realtime visual performance.

In another installation called Decay Time (1974), the public enters a dark space where there is barely visible projection on the wall. Suddenly, they receive a strong flash, during which their image is shown in the projection. 40 As these examples show, time has been the central theme in many video installations. These installations were also called “video environments”, and they paved the way for the interactive installations of the 90s, in which computer controls the environment. Virtual reality environments are perhaps the most immersive experiences for the public.

Suddenly, they receive a strong flash, during which their image is shown in the projection. 40 As these examples show, time has been the central theme in many video installations. These installations were also called “video environments”, and they paved the way for the interactive installations of the 90s, in which computer controls the environment. Virtual reality environments are perhaps the most immersive experiences for the public. 39 40 49 Lev Kuleshov: Kuleshov on Film Laura Baigorri:Video: primera etapa Rather than being a spectator or forming part of the projections, the public’s role becomes that of a visitor in the installation space, or a user who controls the interface of the installation.

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Live Cinema : Language and Elements by Mia Makela


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