Download PDF by Phillip Stambovsky: The Depictive Image: Metaphor and Literary Experience

By Phillip Stambovsky

ISBN-10: 0585260389

ISBN-13: 9780585260389

ISBN-10: 0870236148

ISBN-13: 9780870236143

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Extra info for The Depictive Image: Metaphor and Literary Experience

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According to Beardsley, a metaphorical attribution . . involves two ingredients: a semantical distinction between two levels of meaning, and a logical opposition on one level. . it describes the shift [or "twist" as he termed it in the later version of his theory] from designation to connotation. (In johnson, p. html [6/23/2009 1:19:57 AM] page_28 < previous page page_28 next page > Page 28 In his revised theory Beardsley explains that a figurative expression's connotations that are unusual or that may be unique to its occurrence in, say, a particular poemconnotations that are context-specificare distinguished from familiar or "staple connotations," by being "drawn from the total set of accidental properties either found in or attributed to such objects" (emphasis added).

P. 118) Contextualism also reveals a similarity to the controversion view in its claim that an expression is "metaphorical only if to some extent contra indicated" by context (Beyond the Letter, p. 119). It differs from the controversion account in that "some extent" of contraindication is not as extreme as the logical opposition of which Beardsley speaks. Two other less extreme characterizations of this aspect of metaphor are Ricoeur's "semantic impertinence" and Earl R. " 45 A survey of observations by prominent theorists on the role of context in defining and understanding metaphor not only reveals a wide range of opinion about how metaphor functions but also provides a collection of suggestively related insights from which we can distil the elements of a coherent contextualist approach to metaphor.

148) In discussions of literary metaphor at least, this problem is on occasion obviated in instances where the entire work in which the metaphor occurs is presented and considered as a whole. For the context of use in analysis may subsume, and indeed enrich, that of a given instance of prereflective appreciation. Binkley's point is well taken, however, vis-à-vis theorists who develop their views on how metaphor means in light of trivial or what we might term "disembodied" metaphors. Wayne Booth in "Metaphor as Rhetoric" envisages the structure of metaphors that "we care for most" as extending virtually indefinitely into the range of all the extratextual factors conceivable as components of their context.

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The Depictive Image: Metaphor and Literary Experience by Phillip Stambovsky


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