Download e-book for kindle: Winning Images with Any Underwater Camera: The essential by Paul Colley, Alex Mustard

By Paul Colley, Alex Mustard

ISBN-10: 1909455040

ISBN-13: 9781909455047

The easiest underwater photographs do not simply catch the topic good, additionally they catch temper, emotion and surroundings. in contrast to such a lot different underwater images books, successful photos with Any Underwater digicam specializes in composition and methods instead of the all-­consuming digicam know-how that folks are likely to chase first. This makes it a supremely budget friendly device for making improvements to photographs; and there's no discrimination among clients of other digital camera systems - this really is a e-book for all. overseas award winner and teacher Paul Colley exhibits the fast cuts and very important bits of creative thought because it applies to underwater images and composition is handled in a lot better intensity than in different books. He additionally contains easy-to-remember reference types for underwater composition: pre-planned options for twelve ordinary underwater scenes, with the important concerns boiled all the way down to these necessities that can assist you in attaining nice effects, many times. "This publication will arm and encourage you to remodel your underwater photos, no matter what digital camera you use": Alex Mustard (from the Foreword). "Generously open approximately his method of taking underwater images, next administration and publish production... to be congratulated": Brian Pitkin, President of the British Society of Underwater Photographers.

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Additional resources for Winning Images with Any Underwater Camera: The essential guide to creating engaging photos

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Figure 43: Examples of contrast in scale and texture etc. Figure 44: Purple sponge detail, Bonaire. Figure 45: RGB and CMYK colour systems. Figure 46: Colour spaces. Figure 47: Colour contrasts. Figure 48: Considerations for colours that tend to dominate underwater photography. Figure 49: Yellow sponge & diver, Grand Cayman. Figure 50: Snell’s window. Figure 51: Internal frame created by looking from inside a wreck to out. Figure 52: Organising and balancing an image — what to consider. Figure 53: Implied divisions of space.

He identified seven signatures in human aesthetics2, which I have taken the liberty of adapting to underwater photography at Figure 2. In addition to those mentors already credited with setting me down the path of thinking harder about underwater images, I am also indebted to another colleague, Dr Alex Tattersall, who towards the end of my research gave me some fresh perspectives about what makes good underwater pictures. In a presentation to the Bristol Underwater Photography Group in UK, he steered me to some work by Steve Williams at Wetpixel in the US, who had been trying to identify the truly iconic underwater images of our generation.

Figure 22b: SS Thistlegorm motorbike front quarter viewpoint. Figure 23: Layers adding depth perspective. Pyjama slug nudibranch, Red Sea. Figure 24: Adding the third dimension to a scene, Red Sea lettuce coral and diver. Figure 25: Using a diver, the background reef and the water surface to create the third dimension. Figure 26: The ex-USS Kittiwake wreck. Viewpoint and diver as a scale reference dramatically alter the impact of the image. Figure 27: Reef shark against blue water, Cuba. Figure 28: Black background for a colourful subject.

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Winning Images with Any Underwater Camera: The essential guide to creating engaging photos by Paul Colley, Alex Mustard


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